Tito Del Moral (1993, Bogotá)
Tito Del Moral is a visual artist whose practice approaches the body as a landscape shaped by trauma and lived experience. Working from personal histories, he explores how trauma is inscribed, repeated, and carried in the body over time, allowing the intimate to unfold into a broader affective field.
Through processes of repetition—points, stitches, and material accumulations—his work constructs surfaces that evoke inscription, erosion, and persistence. Moving between painting, drawing, textile, and object, Tito engages the body not as a fixed image, but as a site that holds, resists, and leaves traces. His visual language oscillates between abstraction and figuration, where fragments of bodies, flowers, and gestures emerge and dissolve.
Grounded in a queer sensibility, his practice is drawn to the domestic, the soft, and the affective. Repetition becomes an ambivalent gesture: compulsion and containment, wound and support. Rather than offering fixed meanings, his work opens spaces where the body is activated, allowing its marks to remain visible without resolving into a single narrative.
Tito has presented two solo exhibitions, Pandora and Flowers Hold Me. His work has been exhibited internationally and featured in international media. He studied Visual Arts at Universidad de los Andes, as well as Art and Design in Oxford and Fine Arts at Leeds Art University. He currently lives and works in Bogotá with his husband Mario and their dogs, Rocco and Pandora.
